Saturday, May 31, 2008

Smart Or Too Smart

Writen by Rick Hamrick

As long as I can remember, I have had the "smart guy" tag applied to me. It's not really much different than always having been tall (definitely *not* me), or always outgoing and popular (again, not me), or always overweight (only in the last dozen years or so). The issues come about when one makes too much of the fact, or relies too much on their individual talent or exceptional characteristic.

In my own case, my social ineptitude was only magnified when my parents allowed my elementary school to move me up a grade…in the midst of the school year. To their credit, they did not allow the school to move me two grades, which would have been a complete disaster. As it was, I went from a class where I knew a few kids pretty well to a class of kids older than I was who had no intention of befriending the little nerd thrust into their lives.

Reflecting back on that time in my life, now nearly a half-century past, I can see the seeds sown of a life-long difficulty being accepted or fitting in, mostly of my own making. It was my intelligence that got me into the mess, and it was my intelligence that prolonged it.

At last, I think I am making progress at using my smarts as a tool instead of as an identity. Finally growing up when well past fifty years of age is a bit embarrassing, but I guess it beats never doing so at all.

The key for me was to begin to see with clear eyes how others viewed me. Because I identified so strongly and relied so heavily on being smart, others came to see me as a tool! "I don't know the answer to number 4…let's ask the smart guy!" I had become Mikey of cereal-commercial fame ("Give it to Mikey!" "Yeah…he'll eat anything!!").

Changing that perception was as simple as changing my own view of myself. Okay…maybe "simple" is not the way to put it, but it really was easy to do once I saw that I was creating the problem I had viewed for decades as being something others were doing to me. I'm a smart guy, yes. I'm also a shy person, a witty soul, and somewhat of an oddball. What I have only recently—and very consciously—become is someone who listens carefully to his friends when they want to talk. Someone who learns what makes others happy or feel good, and thinks of ways to provide those moments for them. Someone who is capable of caring a great deal about another who is not really very similar, yet almost a twin in some ways. Heck, it's nothing exotic or fancy: I simply have learned how to be part of the human race!

Here's the key: focus on the ways you are the same as someone else. That's where the bonding opportunity lies. You can quickly get to the point with someone else that, by celebrating your similarity first, you can jointly enjoy your uniquenesses. Friendship is the best ship I know of for cruising this world, and you can go anywhere on it. I am glad to learn this lesson in my youth. After all, I have a life expectancy which projects me having almost as many years to go as I have already spent. My intent is to use that time to spread the word. We're all unique, perfectly formed to be exactly who we are, and all stunningly the same in ways we can choose to see…or not. It's that "not" part that has mankind in the morass it is in. We don't belong there.

My passion, today, is to see us all grow beyond the "how are we different?" state, to the place where we can touch each other as individuals, where we can see beyond the labels, where we can find the common ground that eliminates the need to bleed. We don't have to kill each other. We only think we do.

So, "smart" becomes "too smart" when it is a barrier to bonding. That's why we are here, you know. It's not to kill all the folks on the planet who don't think as we do or worship as we do. It is to become friends with those people…try out their food…learn something of their lives and culture.

What if we did that? What if, instead of shunning people out of fear or lack of understanding, we sought out those who look like the "bad guys" to learn how they are just like us? Or, in a smaller step, what if we simply got to know that person at the office or in the plant or at the grocery store who has always rubbed us the wrong way? What if we made the conscious choice to love instead of distrust? To offer willingness to understand instead of an insistence on impenetrable walls?

You tell me. I'm done being too smart.

Rick Hamrick is a computer guy for a large corporation. His aspirations are many, and his goals are diverse. He has a strong predilection for naps on the weekends, as well.

Friday, May 30, 2008

The Peculiar Case Of Thomas Mannings Justice Part Two Of Two Parts

Writen by Dennis Siluk

Garbage Pit

Thomas Manning now lay face down in the back ally with the garbage. If anything, whom ever knocked on the door, did it just in time, surely them pool sticks were to be used should that knock on that door not have occurred; it would had been too tempting not to use them at the high point of the battle, especially after he messed up all three of the men, or was it four, possible five men [?] he may have even broke the arm of one of the guys, he heard something crack, I mean a big crack. Nonetheless, Thomas was in bad shape, having three ribs broken, and his nose, and burses all over his body. He felt like he was beaten with a tire iron.

Said a voice to Thomas, a blur shadow in the back doorway, it looked similar to Henry: "If you get up," the voice said, "and make it out of here, don't ever come back unless you want more of what you just got"; His voice was stern and implacable, like the voice of a king. His opponents did not come out looking for him, nor evidently cared to even see the damage they had done.

He heard the sound of an ambulance coming; it must be for the boy he thought. Then when it arrived, someone said, "Ha, look back there, a man's on the ground, looks in bad shape." This was displeasing for Henry, but he stayed in the bar and said nothing as they took Thomas in the same ambulance the boy was in. And two fellows took their own cars to go to the hospital—carrying one person who was gasping for air, everyone but Henry and two others were in bad shape.

4

The Hospital/Jail

"You need to arrest these men," Manning panted to the investigating officer at the hospital. But as the officer questioned the other men, getting a different story, it was not the same story Thomas gave; Thomas started to look guiltier by the minute and was thereafter taken to jail along with the two men who had their ribs broken and nose busted. The young lad was left in the hospital as was the one gasping for air, and another man showed up later with a broken arm from the brawl, as it was framed to be by all the bar participates but Thomas, even Henry showed up at the hospital to add his statement to the report. Matter-of-fact, there was a complaint added to the report that he [he being: Thomas Manning] was a karate expert—after they had discover he knew it—and thus took advantage of the situation, that is, until, until Henry came to the rescue of his customers at the bar, and thus got a big thank you from the owner.

Hence, they all waited three days in the jail in downtown St. Paul, and the others went back to the bar to discuss the situation at hand, for the court date was soon to arrive.

5

Court

Thomas Manning was especially downtrodden, and angry during his time in jail, but it gave him time to think and to gain his composure for court. Besides he had made the local news on TV, saying in essence: he was the cause of the trouble at "Murphy's" bar down on Wabasha Street, and luckily the barkeep came to rescue of the customers, lest they all end up in the hospital. His mother was also a bit disturbed from all this notoriety and Manning just wanted it to be over with.

And so the court day came, and the Prosecuting Attorney stood up and the judge came in to hear the case, Judge Rosenbom, and Thomas who had an old friend, Mr. Dudley for his lawyer, stood up and the court procedures started.

For the most part, it was his word against everyone else's; and the judge seeing broken ribs from both sides of the this case, and broken noses as well, and realizing Mr. Manning was not a tax paying Minnesotan and elections were coming up soon, he made his statement, as he did, saying: "In all fairness, Mr. Manning, it has not been proven, yet you claim to have been abused, taken advantage of. Yet in a bar, a recovering alcoholic of which you are—so you claim, why I ask you why are you even in a bar, and a fighter as well, a skilled fighter at that, it is hard to believe you were not looking for trouble, found it, and, and well: just look at the four men you beat up." The sight was not to his advantage, yet he showed some battle wounds also.

Before he could say another word, the judge gave him a hard look, added "Don't say a word Mr. Manning, not one word…" and then dismissed the case in no ones favor; both sides being equally to blame, "You best stay out of bars like you say you have, and I don't want to see any of you folks back here again, and that includes you Henry Farmington, bartender!" having said that, he motioned for the next case.

6

Poetic Justice

'Life goes on,' murmured Thomas as he looked back at this whole experience. Possibly this might be a good lesson he told himself and a story for the future he thought. Let bygones, be bygones, he chatted to himself, and caught a train back to New Orleans. His mother had once said, when he was but eight years old, in a similar fight when he came running home beaten by five boys, "Next time run faster or learn how to fight," and so he learned both, but she forgot to tell him: 'stay out of the bars.' You needn't look for trouble there, it comes your way automatically.

—[Thomas Manning] It was a brisk morning in the spring of 1982, two years had passed, or thereabouts, since that event had taken place in the St. Paul bar. He was inspecting in his cellar the inventory one of his bartenders had taken. He owned a hotel, and below it was a bar and restaurant; along with several other properties in New Orleans. The counts of the bottles of wine were correct, so he left the cellar and walked up the stairs, where the door went into the hallway where the bathrooms were.

As he walked through the door he noticed a familiar back of a man, or so it seemed recognizable, but couldn't quite make it out completely, he was holding a key to one of the his rooms in the hotel; evidently he was a vacationer. It had his emblem on the key-ring anyhow; the nightclub's emblem that is. As the man sat up at the bar and started to finish his drink, his profile was viewing more clearly now, Thomas couldn't believe what he was seeing, it was Henry, Henry Farmington, the same, the one and only Henry from 'Murphy's' bar. How fate plays its poetic games, if not poetic justice. He quickly grabbed the phone next to the men's bathroom and called the barkeep, instructing him in some manner; at which time, the barkeep motioned to the busboy to lock the front doors, Henry seeing the busboy, paid little attention to him being in the back of him, or his activities. At the same time the boy asked one of the patrons to leave—I'm not sure how he said it but it was in a quiet approach and he did leave. Then some music came over the loud speakers, Manning had told the waitress to make sure it was noisy in the bar area.

Now Thomas Manning walked slowly behind the bar as the bartender walked the other way to gather the other men in the bar, and they started to form a horseshoe around the backside of Henry, up to this point, he paid no attention to his surroundings. Then as he looked up, having been in thought for a moment and looking down upon the mahogany bar, he saw Thomas, he opened his eyes surprisingly wide, paused for a moment to collect his belief, thinking he was the new bartender, they were face to face now, only the bar separating them. Henry put up his hand, right hand, as if to say peace, "What a surprise Mr. Manning," he said, adding with a choked up voice, yet not noticing the men behind him yet, " Oh yes, we all got punched-up that day didn't we, I hope there is no hard feelings; incidentally, where is your boss?"

"I own the place—," he said with a smile, and then added, "Henry— you never did get messed up, just everyone else did. But I think today is my lucky day; you will get your turn. You see, you should not have come into the bar in the first place looking for trouble."

"But…" he never had time to finish that sentence, or the second word, whatever that was going to be, because Manning had punched him so hard, square in the face, between his chin and nose, he split his lip, crack two teeth out of place with his two upper nickels on his right hand, he flew off the stool right into the horseshoe on his back, and the boots of the men started to break ribs, you could hear them crack: one, two, three, and his nose was displaced by a forth kick. One man grabbed a pool stick, but Manning told him to put it down, it wasn't called for, but he said to Henry, as they carried him to the garbage pit area in the back of the building,

"Should you come back, I will not be so friendly, and allow the pool sticks to be used." Henry couldn't talk he just gasped for air and trembled, shaking his head as if to say 'yes, yes, I understand.' He didn't want anymore of what he dished out at Murphy's that was for sure.

The police came, and the story that was given was that he had come into the bar drunk, and started a fight. The busboy was asked by the police to be a witness, likewise the five men in the bar were asked for their version of what happened, as was the owner, all put nicely on a report, and they all agreed he was a trouble maker, and he hit two of the men first, and so they had to protect themselves: Henry, and so that was that. To make things even better, one of the two men had taken some of Henry's blood and smeared it on his face and shirt to make it look like Henry was a fighter, which he wasn't, and even tore his shirt to make it look good; of course Mr. Manning paid for it—the shirt that is. And unfortunately, it never even made it to court; he never showed up to file a complaint.

Dennis Siluk is the author of 29-books, three of which are of short stories; this short story may be included in his 30-book of short stories and poetry.The author lives in Minnesota and Peru. his site: http://dennissiluk.tripod.com

Beacon Verse Series Article Three The Battle

Writen by Russ Miles

The Battle © **** I always seek
To do what I thinks right,
But, sometimes, I get weak
When it gets night...
I usually say that I won't go
And do those things again;
Too often, though
It seems, that I give in...

I guess, perhaps,
That's what life's all about,
To take your slaps
And know the knife of doubt;
Then, when you think that you can't cope,
Can't get back up again,
To find some hope
And try, once more, to win...
What really counts the most
Is if we try;
Sometimes, we get to boast,
And, sometimes, cry...
So, when ' The Battle ' rages
And there's no peace in your head,
It's ' The Battle ' of the ages
Fought by millions now long dead...

If it's any help to know,
You're not alone;
That we each face a foe
That's not our own...
Our own lines of demarcation,
We each wage a war with sin;
Feel the same frustration,
Fight ' The Battle ' of within...
**** The above poem was published in 1977 as Beacon©

Verse by Russ Miles.
When, a dozen years later, I was set free from ' The Battle ', I wrote this last verse to include in any of the remaining copies that I had removed from the market place after suffering "An attack of conscience" in 1979.
Well, at last, ' The Battle's ' ended
In the night...
Not the way that I'd intended,
Through my might...
A peace treaty has been rendered,
Yes, a victory has been won...
It came after I'd surrendered
To God's One and Only Son...

My disappointment was that most of the buyers of my "Limited Edition" ~ 1,000 copy ~ poetry books would never read the final verse. Without hope, they would go on believing that they were hopelessly locked into an endless engagement with lust.

God's Holy Spirit had delivered me from ' The Battle ' with that sin. I was totally in love with my own wife, and I couldn't even conceive of having relations with another woman.

Well, that was also a long time ago. Now in 2006, I find myself once again single, back into ' The Battle ', or called back to the front lines. Perhaps, if I had kept my attention focused on God, and His Son Jesus, I would have developed the other characteristics that would have preserved my marriage that ended five years ago? God only knows.
I do know, I am but a mere mortal ~ with a Supreme Being Master ~ that knew the way I would be, foreknew the paths that I would take, and He loves me anyway. I look with eager anticipation to the day when I am once more delivered from the ' The Battle ', again in a good marriage or loving relationship. Hopefully, by then, I'll have millions of links into my website when I am called forth to my Maker ~ and will walk boldly before His throne of "Grace."

Russ Miles writes romance books, poetry, songs, ezine articles, and mystery thriller novels. In 2006, his remaining copies of Beacon© and Imperfections© are being sold through his personal website http://www.MilesBooks.com and via milesBooks@gmail.com Comments: MilesRuss@gmail.com

Thursday, May 29, 2008

Camper Awning Making Travel More Enjoyable

Writen by Dion Semeniuk

For people who enjoy travel, taking weekend trips to see national parks, historical sites, or visit family and friends, the camper is a great way to go. Today, you can find all types of campers. Some campers are full capacity, meaning they are more like a large trailer while other campers are small, unfolding once you reach your destination to provide sleeping quarters, a small kitchen, indoor bathroom, and even sitting area. Although you could spend a fortune for a camper, you will also discover some excellent bargains for used campers.

As you sit at the campsite, enjoying the beautiful outdoors, the last thing you want is to be miserable. After all, the whole purpose of using the camper is to escape the hustle and bustle of life, finding a peaceful way to escape. For this reason, you definitely want to choose something with a camper awning or buy an awning to have installed. The benefits in this case are tremendous. For example, your camper awning will provide shade during the hot day or protection during rain so you can still sit outside without being affected.

The type of camper awning you choose will depend on the size of the camper and your personal preference. In either case, these awnings are easy to set up and very affordable. In addition, a camper awning comes in a wide range of colors and patterns so you can take an ordinary camper and make it shine. Of course, when choosing a camper awning, the most important factors include strength and durability.

Let us say you have a camper awning but it is old and ragged looking. Every time you travel, you find yourself spending far too much time trying to fight with getting the awning open and closed. In this case, you could simply replace and existing camper awning, doing the work yourself. For this, start by measuring the length and width of the fabric while you have the awning in the open position. For the length, measure from the roller tube all the way to the rail, making sure any hardware or a valance is excluded. As far as the width, this is measured as the distance between the centerline of the awning to the hardware's centerline

We recommend you go with the same make and model of awning, although you could choose a different design, which will make replacement much easier. Keeping the camper awning open, look for the manufacturer's tag, which will have the model number listed. In this case, you can simply place your order, providing the manufacturer with the required model and serial number.

To replace an existing camper awning, you need the roller assembly and fabric, as well as coordinating hardware. Sometimes, these pieces are sold as one unit and sometimes piecemeal. The manufacturer can guide you through this process, as well as choosing a different color or pattern, if you like. However, you might ask the manufacturer about any upgrades that might be available. For example, you might have an older model camper awning that has now been replaced with new fabric or technology. A great example would be fabric that is scratch resistant, mildew resistant, and fade resistant, perhaps something your old camper awning did not offer.

Dion Semeniuk has developed experience into transforming your backyard into your very own resort. To learn how the awning can achieve this, visit the Awning website.

Photo Art Galleries

Writen by Richard Romando

Photo art galleries generally feature the artwork of photographers. The items for display are usually categorized into themes such as fine art, wildlife, nature, landscape, nude, travel, digital stock, documentary, and other images. By using advanced photographic production techniques, artists create black and white, color, digital, and film art photos in a variety of sizes and formats. At these galleries, you can view and buy images ranging from most modern and contemporary photography to vintage photography.

There are a number of photo art galleries located in the United States and Canada. Most of them feature mainly fine art photography, but some show other art media such as paper and textiles. In addition to photos, most photo art galleries carry a wide selection of videos, prints, and books. An array of stationery including bookmarks, greeting cards, and postcards are also usually available at these galleries. Some of the photo art galleries provide a wide variety of curatorial and design installation services as well.

Photo art galleries are greatly sought after for their personalized, friendly attention for art-selection assistance, archival-quality framing and matting, conservation and restoration services, special commissions, and installation services. There are photo art galleries that focus on particular projects such as thematic and historical topics. Many photo art galleries showcase a fine selection of religious photos. Sports, still life, fauna and flora, science, and fashion trends can also be the subjects of photos. Fine art photographs are excellent collectible items for a photograph collector. Single-subject photo galleries such as tattoo photo art galleries and nail photo art galleries are also very common.

Photo art galleries also conduct exhibitions for you to view and buy photos. These exhibitions sometimes focus on a particular artist or theme. Most photo art galleries provide online services for selection and purchase of photos. Online photo art galleries are also available.

Art Galleries provides detailed information on Art Galleries, Art Gallery Dealers, Fine Art Galleries, Online Art Galleries and more. Art Galleries is affiliated with Framed Art Prints.

Wednesday, May 28, 2008

Mona Lisa Smiling

Writen by David Waddleton

There is some confusion or disagreement to whether Mona Lisa is smiling in the ever so famous painting by Leonardo de Vinci, and even though the majority of people think that she is smiling there continues to be random studies and questioning. Maybe from a history stand point our views and opinions would have been different if the question about the smile was asked 400 years ago.

Located in the Louvre museum of art in Paris, France there hangs the aging 500 year old Mona Lisa. At first glance many will say the portrait of the unknown woman is smiling and then for some others the smile seems to fade after and extended period of time of observation. Was this ambiguous smile painted with an intention to confuse or to inspire curiosity and wonder? Every year or so the Mona Lisa is inspected for aging and deterioration. When it is necessary touch ups are made very carefully to the painting. This has raised some concerns with historians and art enthusiasts who worry that with continuous restoration the Mona Lisa will eventually lose her original appearance and intended facial emotions.

The painting has yellowed from the layers of varnish applied to protect it over the centuries, but so far the Louvre has resisted pressure to touch it up. The last real work on the Mona Lisa dates back to the mid 1950s, when several age spots were removed. The thin poplar panel on which the Mona Lisa was painted in oil has changed shape since the last evaluation done by conservation experts. The question remains is the change in shape of the panel and the touch ups enough to change the facial expressions?

Some studies of Mona Lisa's smile have concluded that she was smiling because she was a majority percent happy, and then a small percent disgusted, fearful and a little angry through scientific calculations and computer imagery emotion detection. With applied technology it can be illuminating to hear the results of a certain experiment but I believe that your own opinion of the piece is all that you need and not to depend on what a computer concludes is a smile or not. Human intuition will always be more accurate then a computer and for that I mean I can personally tell by the way a friend walks, sits, smiles if he is upset or sad or happy even a baby reacts to a smile.

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Designer Scarves Big Sunglasses Amp A Head Wrap

Writen by Meryl Rougeaux

Beautiful designer scarves are the must have accessory for this winter season. Imagine a soft, silky scarf in a vivid yellow paired against a coarse fur coat or a beautifully soft mink against a cream colored coat. Gorgeous colors and rich textures create a powerful image of beauty and power on a woman.

Tie your orange and white designer scarf around your neck, worn over that tired blue pant suit and suddenly your wardrobe comes to life. You'll turn heads in the office and (maybe) make more sales with this remarkable addition to an outfit that may feel passe over time. That's what makes these great fashion accessories such glorious creations: they are so versatile and can punch up an outfit that's giving you the winter blahs.

Stepping out onto the town for a day of shopping with a big purse, big sunglasses, and a head wrap gives you the retro Jackie'O look that is an incredibly popular and utterly gorgeous fashion trend. It's a fad and it's timeless all at the same time!

Fendi is a major name in designer scarves and you'll have trouble limiting yourself to just a few from their sumptuous fashion collection. There are other names in scarf designers, too, but every woman should proudly have at least one Fendi in their closet (or around their neck). Of course you can get just as beautiful look-a-like designer scarves online on the internet.

Wanting to keep up with the trends but unsure about where to start? Pick up designer scarves in fox, mink or rabbit for an ultra-soft, ultra-warm experience during winter. When warmer weather comes, switch to silk and organza during the day and if it cools off at night, opt for a velvet one.

Choose ones in bold, vivid colors and avoid patterns unless most of your clothes are solid one or two piece numbers without any patterns. For example, avoid matching a polka dot with a striped pant suit... instead, match your polka dotted scarf with a plain pant suit or a plain shawl with a striped pant suit.

Bold is the woman who chooses to match shoes, jewelry, purse, and scarf. While that isn't on every woman's must NOT do list it should be on most. This statement isn't necessarily bad but it must be done carefully so as to not look garish. Avoid it if the colors contrast too sharply with the rest of your outfit. If you have a light green outfit and a dark green matching shoes, purse, and scarf, that's okay. A good rule of thumb is to stick with matching items only if the color is darker than the rest of your outfit.

Designer scarves can also be a great choice to really make a fantastic first impression on a date. Your date may not know that it's a Fendi you're wearing but he'll know that you look fabulous in jeans and a blouse with a beauty tied jauntily around your neck...as if you're just about to pull it up and rob a bank!

These trendy fashion items WILL create an impact!

Give yourself a fabulous fashion look with designer scarves and shawls. Always in fashion, these designer scarves look great and expensive! Of course, you'll know better when you purchase these designer scarf look-a-likes from http://www.FashionScarvesandShawls.com.

Monday, May 26, 2008

Perhaps Its Love End Chapters Someone Bad Is Going To Happen

Writen by Dennis Siluk

She noticed a dog following her, a mutt of some kind, but she smiled at it, she figured she could use the company. But why was it following her she didn't know, just a stray. Had she asked Tasma, she might have told her, dogs know about the cold in Minnesota, and they know humans in winter provide warm shelters, or can if they wish to. Oh they can't say it, but they sense it, instinct. Thus, the dog would follow in hope that when she got to her destination the human would give her shelter also. On the other hand, the dog was not a foolish animal, it knew enough to keep moving to keep its circulation going, its blood warm and in a constant flow.

In the course of the next hour she found the street she was looking for, she had actually passed it up and had to backtrack a few blocks. Each block brought more numbness to her face, her toes, her cheeks, nose and hands. She was but three blocks, at this instant, from her destination, it was taking an awful long time to walk these blocks she thought.

She lit a cigarette, but she could not hold it in her hands she had to leave it in her mouth, and put her hands back into her pockets, it was too cold to leave them out. She was now just starting to under- stand what cold was. Her nose, cheeks and ears were red and numb. Her toes tingled and she was loosing sensitivity in her fingers. She stomped up and down so she could feel her feet and toes, create some kind of warmth back into her limbs.

The dog kept moving, and watching her from a distance. He [he being: the dog] was white with brown speckles. Jill's eyes were now blurry from the cold. The dogs ears started to go back, and then frontward. Jill's eyes when the wind caught them, seemed to freeze her eye-lids shut for a moment, she was trying to squint without shutting them now.

—"Aw, there," she said to the dog, "There it is the address 135, 135, that's it." It was a two story building, with basement apartments. She went into the glass enclosure, some heat was seeping from under the inner glass door that lead to the hallway apartments, but it was a security building so she had to stay in the glass enclosure and find the right buzzer. She looked about, there were six apartments, but Johnny's name was not on any, but Jeff Landsman was. 'Yes, yes,' she said, looking at the dog hugging the door and all the heat that was trying to escape.

She hurriedly pressed the buzzer that read 'Jeff Landsman,' and hoped she'd hear Johnny's voice; it was possible he might be out celebrating the New Year though, she thought, it would be his style. She rang it again; a voice came over the speaker this time,

"Yaw, whose there?" said the voice.

"Is Johnny there," said Jill in an excited manner, still shivering from the cold, trying to rub out the numbness so as it to leave her body quicker, and it was becoming normal again, the little heat she needed was like a bonfire to her flesh. The dog was curled up with his tail flapping. Her blood somehow recoiled in her body, it was circulating in full force now, her lungs and voice was now clear.

"I'mmmum, Jill, Jo-johnny's girlfriend from Seattle."

"This is Jeff," said a voice.

"I want Johnny, is he there, tell him it's me." The voice over the speaker paused for a long moment, as if he may have went looking for Johnny, and so Jill just waited looking at the dog.

Then with a broken and hesitant voice, Jeff said, "Well, he, he, I hate to let you know like this: he should have told you, he was drafted in the, the Army, he's at Fort Bragg, North Carolina now; left about a week or so ago. I'm sorry he didn't let you know, I thought he did."

There was a dreadful silence now between the two speakers, the dog moved a bit, as if he could read danger on Jill's face, and she started kicking the door and slammed the phone speaker down, and every other word that came out of her mouth was swearing. The voice on the other side disappeared. She tried to phone Jeff back but he wouldn't answer.

"Hell with them all," she said, "Let's go…" she told the dog, but the dog didn't want to move, and she screamed,

"I said let's goOOO!" And he heeded her command.

It was her own fault she thought now, as she left the warm enclosure, '…I did not inform Johnny I was coming.' she told herself, 'and he did not inform me because he didn't know how to; it's just like Johnny; and Jeff, shit, I scared the shit out of him I suppose, who would answer the phone after such a display of anger, and I wouldn't listen to Tasma or the bus driver or even the boy at the gas station about the cold. Damn, what's the matter with me?'

Now she had to find her aunt's house, Tasma's house, she told herself. Or just go back to the bus station. She'd think about that on the bus, once she got back down to Arcade Street. It was—she had estimated, for her watch had stopped, it must be she figured, about 10:45 PM, she had an hour and fifteen minutes before the bus would come. Enough time to walk back the mile and a half, pick up her suitcase. She had warmed up in the glass enclosure for about twenty-minutes she estimated, long enough to last to get on a warm bus.

Jeff had no idea she was unprepared for Minnesota, everything was happening so fast, she was like a sailor in the middle of a hurricane without a life jacket, or even a ship.

As she walked several blocks in a rush, she had to stop and rest, her energy was zapped, her toes started to tingle, signals of sensation to parts of her face were felt, and her fingers started to numb up again. The dog was walking in circles.

'God, it's cold,' she told the dog, and had started to resent the dog for having a coat of fur, a homemade jacket on, one with no pours so it wouldn't absorb the cold so much—the wind so fast. The dog caught her jeer and kept her distance. Maybe Tasma was right she told herself, this Minnesota winter was bad, real bad. Could the dog talk, he would have told her to stay put in the glass cage they were in, it was better than out in the cold. It was all of 35 below, and the wind-chill was unthinkable. Her ears were frozen; she couldn't feel them anymore. She looked for taxies, but couldn't see even a car. She didn't realize in St. Paul, you had to call a taxi to a location by phone, you never flagged them down, it wasn't like Seattle, or a big city like New York City.

—She had found where she had laid her suitcase, but her body was not reacting properly and she had to leave it there, it was stiff and cold and had no feeling in her fingers, hands (she couldn't pick it up): she had to look to see if they—her fingers—were still on her, attached to her, as the snow and wind slapped her in the face making her cheeks and nose and ears raw. She hit her hands against the tree to wake them up from their numbness, then left the bag alone and started back walking to the bus stop again. Her jaw was tightening up, and her upper arm muscles were losing sensations, as if a large piece of meat was being frozen. But now she could see the bus stop, and she tried to walk faster, but she couldn't, she looked at her watch, but it had stopped. The dog was several feet from her, she looked at his fur—thus, she stopped for a moment: 'She-sheeee ggoottt a lot of fur,' she murmured in protest, in a shivering manner. But the dog kept his distance.

"Come, come, come here doggie…." she cried; but the dog only moved when she moved. She moved toward the dog, the dog moved away from her. Then she stomped her feet, it felt good, and so she did it again, she couldn't feel a thing, all the way up to her ankles.

She now had arrived at the bus stop, 'At last,' she mumbled to the dog, with a little jeering laugh: "No bus ride for you," she bellowed out from the bottom of her lungs deep in her chest, but it was not loud, it was hardly even heard by her, she had lost her energy, and her lungs were being frozen, she was being frozen alive. She sat down on the bus bench, and just shivered, and trembled.

The sight of the dog started to bother her, how content he seemed, warm in a cold way, warmer than her anyway. I mean, he wasn't shivering like her. The gas station was black inside, she almost felt like throwing a brick through the window and warming up as she stared half frozen at the gas station, but where was a brick? She'd waited a few more minutes for the bus; it should be close to midnight, so she told herself. The dog seemed always moving, she was just staring at it, and then lights caught her eyes they were from a truck she figured, west of her, about two blocks down. It had stopped. She turned her head, squinted her almost frozen eyelids:

"Damn!" she said in a horse's voice, "That's the bus," her lips couldn't move, the words just slurred out as she had seen the taillights, the break lights, lit up. She tried to stand back up, but she couldn't feel her feet, it was all of 40-below, with a wind-chill of at least double that if not more. She was now thinking Tasma was right, they were all right. Her hands were frozen in her pockets, the only thing moving now was her thoughts, and they were on Johnny; but she told herself not to panic: still looking at the tail lights of the bus, stopped, headed the opposite way, two blocks away. So close she thought, but so damn far, under these circumstances.

Jill thinking. (She was silent now, but had time to remember, even though bleak and half frozen were her thoughts). I have looked-after Tasma, as I had promised myself. (With a generosity so self-concealing that at the time only instinct or intuition, or scent of some kind had or could make it aware to her, but inside her frozen body now she smiled, for she couldn't move her lips. She then released her last breath. Unfortunately, Tasma could not offer her a hug a kiss or kind gesture, she was too far away, but it wasn't necessary.

—The dog now approached Jill, she was a picture of a frozen human, he could smell death, and jerked himself backward: remained there a moment, and then ran back to the apartment she was at before to see if he could get into the glass cage.

31 Clap of an Eye

[Seattle] Tasma had concluded she was in love, quicker than a clap of an eye, it came upon here; now that it had come: she wanted to kiss Tommy, felt it a reality; a reality that carried a disadvantage in the sense of: she felt hopeless and helpless of it all, but the cramps were there and she loved the feelings even though she was vulnerable, and what other test can there be, you have to allow it, she thought, allow it to happen, to be vulnerable to be able to find your soul mate; though her body, her spirit was melting into his secretly now. If anything they did click, and that was possibly the main thing, for who can judge simply by compatibility if one is right for the other, so she demised: for one day you are fine the next day you are ill, and will your sidekick, your husband, your half life be with you? So compatibility was not all it was made out to be, yet it was a fraction of a relationship; you had to click, that was the secret of love, and it clicked now, like a clap of an eye movement for her. And once you know, she finished: you know.

Tasma sat silent in her bedroom; Johnny had now gone, and Jill had taken off running after him to Minnesota, thus, she and Tommy were left with the Belmont's. (In Minnesota, officials were trying to identify a frozen body found on a bus-bench. And in Seattle no one really knew what was happening concerning Jill or Johnny.)

Tasma had learned more about herself, that being, once she took the first step, it normally was the decisive one, the rest would fall in place; although it took planning, will and courage (in particular in leaving home). At all events, it worked out. Had she stayed at home, she concluded (and had not taken, 'The Road Less Traveled,' as Robert Frost had wrote in his poem), she'd had never found that out. Habit, sentiment and convention would have lulled her into mediocre-unmet dreams. Nonetheless, the strings were now cut, and cut for good; yet still, Tasma retained that child's sixth sense of something wrong, which would help her in life's endeavors.

She didn't blame Jill for going, Johnny was gone, and it was hard for her (her being: Jill) to bridge the gulf of his absence. She missed Jill, and Jill had missed Johnny: that was why when Johnny left, she never made any critical statements about Him—she just missed him too much.

—As Tasma looked out her bedroom door, opening it up a foot or more, to her surprise Tommy was looking out his door silently also, a foot or so; thus, both in the flesh neither one self-assured. As she remained in her pose, her hands grew cold, the beat of her heart shook her diaphragm; in a like manner, Tommy's legs felt like lead, and he couldn't move or breathe properly—love was producing these cramps, and mysterious body functions in both individuals, and other trying ailments. She took some old thoughts she had of him, and gazed with them as if she was close to him, yet they were only twenty some feet away. She now noticed behind Tommy's door, was Mr. Belmont's door open a pinch, and was watching them two, watching with the minimum of effort, passively. It was as if both were absorbing each other, like sunbathing.

Asked Tommy with a smile, "Can I be domesticated?"

"I'm already—" was her answer.

For some strange reason, she became all of a sudden self-conscious of her lipstick color shade being the right one, and her powder being properly put on her face: again was it a normal shade as he stared at her from his room, or was it too corpse like [?] She wanted to check the mirror but she dare not lose the moment.

"Oh, hell," she said, and waved Tommy over. His shirt was off, he looked handsome with a nice physical-ness about him; not as physical or strong looking as Johnny, but then, she never did like all his muscles, they scared her.

As he, at this instant, stood in front of her, she lightly brushed her fingertips across his chest, there was smoothness to it, vitality within it; she whispered, incoherently something.

HE had on an old pair of faded slacks, and his hair was all combed back, she glanced over his shoulder to see if the old man was still watching—he wasn't, then looked in back of her out the window to see if anyone was looking, and oddly enough, she saw Mrs. Whitehead smiling out her second story window with a broom in her hands, she smiled back, and even waved, as she shut her curtain.

Tommy asked: "Do you love me?"

"Yes," was her answer, it seemed she thought, so easy to say that, unbelievable.

"I've saved $2000-dollars, no one knows about it, and will you marry me—?" asked Tommy. Tasma, did not move, she stood gazing at him, stone-still, then it burped out of her mouth: "If you love me."

"Oh yes, oh yes, very much, I love you very much."

'Tasma Thinking. It is important to see things as they are, not to arrange them around you, that way at the end of the day one can keep the moment, as it was meant to be, like now, for a good end. With Jill, Johnny, Mrs. Whitehead, the Belmont's, Tommy, I had taken a step from safe ground to the unknown, I'm happy to be here, and look at all the days that may lay ahead.'

She had learned from Jill and Tommy, or better put: discovered through them, during her visit in Seattle, how to accept the dark and odd side of life, as well as the bright side; for even in her she had found darkness with her instincts, not inbred morbidly, but rather difficult to resist at weak times of a person life. Again she had learned from dark comes light. In her diary she wrote:

Light from Darkness

A canopy of light and blue Translucent dew:— From darkness comes light!

Tasma Autumn Stanley

"Then I'll marry you," said Tasma, as Tommy looked in shock; he didn't know what to say for once, as if he was lost for words; somehow I think she liked this, and finalized it by saying, "Let's get going, how about New Orleans or San Francisco?"

"It is the world's one crime its young grow

old…" — V. Lindsey

32 "The Age of Light"

He said 'yes,' to her request, 'Let's get going,' but added, "How about you reading my story on the way, my epic poem?" And so as they caught the train to New Orleans, he read her, his story: his epic poetic poem, the one he had been working on during her stay at the Belmont's house: "The Age of Light," and now they are on the train, and he is reading it for her—for the first time, and he got it published soon after their arrival in New Orleans,…(and they lived happily ever after; with a few minor adjustments, and differences on the way; she became an accountant, and he, well, how about a counselor as he had planned, and a real estate tycoon which he didn't' plan on, and author which was a childhood dream, as you already know ((they had one child, one dog, one fish, one cat ,one God, one love, and one life all together—and no turtles)).

See Dennis' web site: http://dennissiluk.tripod.com

Sunday, May 25, 2008

The Cadaverous Beasts Of Ssarg Chapter 6 To The Valley Of Arrows

Writen by Dennis Siluk

Chapter 6

To the Valley of Arrows

Arallets found herself-daydreaming in the afternoon sun, still high in the branches of a great tree, overlooking the terrain below, slightly opened eyed; curious she was to insure there were no beasts about. She had fallen asleep on his shoulder, and had just awoken but a few minutes ago, awoken to find herself on Tangor's shoulder, half asleep, when she found herself in this position, she quickly turned away from him, moved backwards, she liked his muscular shoulder but she was still offended from before, his remark. Perhaps she was not good enough for him, was a thought in her mind, a thought, she thought might be circulating in his mind also.

She had had six hours sleep, days were long here, 72-hours to a day, and six hours to a night, total 72-hours. Sleep that was much needed.

Tangor knew Moirommalit's were well known for their flat facial affects, there hardness of heart, and unemoitonalness, but she was not of that type, she must have had an ounce of her father's blood in her. He was thinking it was King Ahta's blood, but of course he did not know.

At this stage of his journey, Tangor simply wanted to get as far away as he could from the rats, and hopefully back to his ship before the vipers destroyed it.

Tangor, said to Arallets, with an explicit tone to his voice: "I'm very hungry for real food, protean, not all this papaya crap, I got it up to my nose, how about some of that Lomo Saltado, I had once in Peru, on earth, good rice with potatoes, and onions, and big hunks of soft choice beef."

Arallets, knew Tangor had a good sense of direction, his instincts were excellent, he had traveled the universe over, and now her sassiness, or better put, over sense of worth in a world that cared less for her, was diminishing, and she appreciated Him. Just like arriving at the edge of the woods, Tangor knew if they continued going eastward they would eventually be at the woods end. As now they had arrived, and it was morning, Arallets saw Tangor looking about, for the umpteenth time, and then he said, "Let go!"

In The Valley of Arrows [The Plains]

It was a considerable distance they had gone, perhaps a few hundred miles if not more in the tree world; now standing on solid ground felt good to both of them.

There was a valley in front of them, evidently they had gone quite far to the east and then shifted somehow west, for according to the map, it was the plains in front of them. And Tangor remembered in the plains was the Valley of Arrows Siren had told him about it. Now he got deliberating where or which way he was to go from here. If he went straight north, he'd be in the Bear Country, if he went northwest, he'd be in King Ahta's domain; if he went northeast, he'd be in the heart of the Manticore valleys and rocky plains: matter-of-fact, they were closer at this point to that area than any other area. Should they go west, they'd circle around the woods and end up by the mound area again, where the Viper's Fortress was, where they started from, and beyond that Viper Country, where his spaceship was, but circling around involved sticking close to the woods, and that was loaded with searching rats for them at the moment. His decision to be made had a lot of variables to it.

How he missed his ship! Ever since he was a kid he wanted to be a space traveler, adventurer, and have his own ship, and now he had one, had it for a very long time also, and here he was stuck on this savage and primitive planet, which his ship in the possession of some mad vipers, were ready to destroy it.

They walked a ways, collecting their thoughts, and found themselves—like it or not—in the Valley of Arrows, part of the central plains of the Planet, where it seemed every other section of the planet connect to or from—in one way or another. That is to say, if one wanted to get to another areas of the planet, they normally would have to cross this land, or perhaps go through the dark part of the planet, and that would not be prudent, for no one had—yet.

It was to Tangor, a mysterious planet, just as Siren had told him it would be, had he ever a notion to visit it. An unnatural planet to say the least, where the beasts had reason, and vocabulary, and red crystal eyes, and walked light on the ground, and was controlled somehow, by it sections. Meaning, the rats, vipers, bears, Manticore, and so forth, all stayed in their birth regions, which seemed to be the only real habitual place for them—in the long run. It was once challenged by the Mantic ore's, to live in the Mound area with Siren the Great, only to find out, the air, or whatever it was, made them ill to the point of death, and quickly had to move back to their abode in the northeast region of the planet. And once the bears were chasing Siren, but would not leave their mesas, and thus, Siren escaped. Should they have I wonder what, but they of course did not, would not, dare not to.

"We shall stop here," said Tangor.

See Dennis' web site: http://dennissiluk.tripod.com

Reading In A Tree

Writen by Michele Acosta

Today is like many of the summer days I spent at my grandparents' house in Indiana—except I am writing, instead of reading and I am sitting in a chair on my deck, instead of on a branch in a tree growing in front of my grandparents' house. But the wind is blowing gently under the umbrella, just like it blew through the leaves so many years ago.

I don't remember how many hours I spent in that tree.

It has been a long time since I felt the wind blow through its leaves. My grandparents sold the house and moved off of the farm the year that I started college. I probably did not climb the tree for the last few years that my grandparents lived there.

I was not a tomboy. In fact, that tree is the only one that I have ever climbed (unless you count the one I tried to climb and got stuck in). It was the perfect tree for a girlie girl to climb. There was one branch that grew straight out from the tree. If I reached up high above my head, I could grasp the branch with both hands and hoist myself up to a much thicker extension of the trunk that grew at about shoulder height. Holding the branch, I "walked" up the trunk until I could swing around and sit in the saddle created by the trunk and the branch. I reached for another branch above my head to pull myself to my feet. An even higher branch allowed me to pull myself to a sitting position on the branch that I had first used to pull myself into the tree. The tree had so many perfectly positioned branches that I could climb a little bit higher in the same fashion, but I usually didn't.

I was not actually interested in climbing the tree. I did not climb for the sake of climbing, but because I wanted to sit on the one branch that was thick enough to be comfortable, lean against the smooth bark of the trunk, and feel the gentle breeze blow through the leaves and through my hair. I usually had a book in hand, too, so climbing higher than my branch was impractical.

I am not sure why, but I never seemed to go to my grandparents' house prepared. I always seemed to be searching for something to read. My grandmother loved decorating. She filled scrapbooks with magazine clippings archiving the year's worth of current home fashions. Had she belonged to my generation, she would probably be a marketing expert. The tools of her passion, women's magazines, fueled my passion. She saved years of back issues of magazines and many of them published one or two fictional pieces per issue.

I remember one about a girl who climbed trees and another about a girl names Lissa (spelled with 2 Ss). Actually, that may have been the same short story. They were all cheesy romances, but the summer breeze blowing through my tree seemed to set the mood and allowed me to slip into fiction-induced trances that the words alone could not have done.

It was a time when things seemed to stand still. By the time I reached high school, I had other things to do than spend weeks at a time with my grandparents reading in a tree. By the time I started college, my grandparents sold the house, but when I was an all-too-shy-pre-adolescent, that tree filled a real need. Ironically, my memory of that tree and the time I spent sitting amongst its leaves is clearer than any single memory from high school or college.

I felt like I belonged. I felt free to be myself—even though I didn't know who that was. At home, I was reminded — especially during the long days of summer—that I did not have many friends. I was painfully shy and somehow, I always felt inferior to other kids my age. That time before high school was also the only time in my life that I was free to read voraciously. The summer before I started 8th grade, I read titles including Wuthering Heights, The Black Rose, and Gone with the Wind, among others. Everything changed after I started high school. First, higher education took over and dictated my reading (probably for the better), then marriage and family decimated the time I could spend reading.

I've never lost the ability to slide into a trance-like state. This is perhaps the biggest reason that I cannot be the sort who leaves a book on the bedside table and reads for an hour before bed. If a book captivates my attention, I read cover to cover, stopping only to eat (sometimes) and sleep (if I can no longer keep my eyes open). For a long time, it meant that I only read when we went on vacation.

We left on one family vacation the day after the fifth Harry Potter book was released. I've read each and every book in the series to my sons more than once. Since we were on vacation, we could only read in short bursts. We finally reached the point in the book where I couldn't disengage myself. I kept reading after I tucked my boys into bed. At 1:00 a.m., my husband finally insisted that I turn the light off. The only place I could turn on a light without disturbing anyone was in the bathroom, so I sat on the cold bathroom floor until 3:00 in the morning so that I could finish the book.

* * *

I drove past my grandparents' old house recently. The tree is still there, but my branch has been cut off. At first I was sad. That branch was there for me when I needed it. But nothing stays the same. The branch was only an extension of the trunk.

I have been able to recapture the essence of those moments spent in my tree in very different places and times. Most recently, our trips to Florida beaches have rekindled memories. I sit under a beach umbrella — often with a book — with the Gulf breeze blowing a bit of nostalgia in off of the water. I watch my sons play with an abandon that only belongs to childhood, and I think about the girl who used to read in a tree.

Michele R. Acosta is a freelance writer, a former English teacher, and the mother of three boys. Acosta has recently completed her first self-help writing book called Improving Sentence Structure. The ebook format is available from A to Z Publishing. Acosta's newest web site, Writer's Help Desk, offers freelance provider listings and freelance job listings as well as other resources for freelance writers. Visit The Writing Tutor for the ecourse version of Improving Sentence Structure and for more articles, professional writing and editing services, and other writing and educational resources. Copyright (c) 2004-2006 The Writing Tutor & Michele R. Acosta. All rights reserved.

Saturday, May 24, 2008

Dance In The Rain

Writen by Vishii Rita Krocha

There is a website called www.allpoetry.com where people from various walks of life come together and share their poetic views. There are members from different countries regardless of the age that separates them. Simply put, it is a site for poetry lovers who write for the pleasure of it and allow their deepest thoughts to flow in the form of colourful words. While browsing through it, one thing that strikes a similar cord in many of the poems is that of pain, a cry of some kind of emptiness.

Despite great work of arts that come from many talented poets, there is a tinge of darkness that shawdows and encircles the sweetness of life. The teenage lot going through a phase that they thing is really misunderstood by the rest. They form poetry of the crazy things that they do, like cutting themselves for moments that pained them too deeply. It's like there are no other forms of punishment for their actions. And there are those who drown in the pool of heartaches and broken hearts. They express them in words, even mentioning extreme steps that had almost taken. Thankfully, there is poetry to stop them from doing so. Maybe not really, but it did prevent them in some way.

Some of them in sickness of a serious kind. They write still with a hope of making the most of their unpredictable lives. But whose is predictable anyway? A number of them just questioning the mysteries of life. Nobody really knows. Probably, none is there to answer them all. And there are those still seeking for some peace, some solitude, longing for a little more comfort. Some hating themselves for whatever they are. But the good news is there are also those contented, feeling blessed and letting their words flow in gratitude and praise. Those cheery lines never fail to lift somebody's spirit.

Varieties of things fill the site. The poetry world is a depiction of real living for people bring in shades of colours and tell their stories. The amazing thing is we can all relate to the things that a person in another corner of the world experiences. It simply proves we are all humans feeling and experiencing similar things at different places.

It seems easier to stay sad than to be happy, to cause pain than to heal it, to anger people than appreciating them, to hate than to love, to break rules than to make one, to cry than to laugh, to frown than to smile – the truth behind it is negative things easily take its toll on us and once they blur our visions we become blind to the good in life. We forget to dance when the sun stops shining. When some really difficult phase comes pressing towards us, we lose our grip on the things that once kept us happy. Sometimes we are put down the drains by unexpected storms. We would stay there forever if we do not pull our strength to wake up and walk again.

Like so many of the poets in All Poetry, there could be so many things troubling the hell out of us, some urge to find an answer that may never be found or going through terrible phases of heartbreaks and losses, even having regrets that you can never redo again or having a hole in your soul-an emptiness inside you which probably is because you need to find a purpose in life or any other problems that keep visiting us in small and big measures.

We could be harmed tremendously in a few moments of hardships but every dawn is a promise that the sun will shine again. So, don't forget to dance in the rain whenever the clouds gather and get grey.

In my twenties ~ that wavy age where times seem hardest, yet very adventurous too. You are not too young niether old. Deciding phases, getting serious kind of phase where Life brings you a lot of tides to ride. But I love every moment of it. I love the lovely times I can count on, even the ugliest of situations. They make me a better person. With dreams in my pocket, seeing them taking buds am gonna do all I can let them take their flight. Someday I hope to see them flowered and be happy enough that for once i did something worth celebrating. And that's gonna be Life... celebrating every moment of it.

I live in India, in its Capital City. I write for a weekly column for a Newspaper. I love doing it all. I love writing. I love my home town. It's a hilly place. And I wish to make a difference in my life's journey.

Quirky Facts About Almost Anything

Writen by Hyacinth Fraser

GREAT QUIRKY FACTS IT WOULD BE GREAT TO KNOW

1. The present population of 5 billion plus people of the world is predicted to become 15 billion by 2080.

2. Worms taste like fried bacon, beetles taste like apples, and wasps like pine nuts.

3. The word 'set' in the English language, has the most definitions!

4. The "French kiss" in the English speaking world is known as an "English kiss" in France.

5. "Almost" is the longest word in the English language with all the letters in alphabetical order.

6. In 1386, a pig in France was executed by public hanging for the murder of a child

7. A cockroach can live several weeks with its head cut off!

8. Human thigh bones are stronger than concrete.

9. You can't kill yourself by holding your breath

10. On every continent in the world there is a city called Rome.

11. When the last four letters are removed from the word "queue" it is the only word in the English language that is still pronounced the same way.

12. The longest English word without a vowel is Rhythm.

13. In Iceland there is a law against having a pet dog!

14. Your heart beats over 100,000 times a day!

15. Horatio Nelson, one of England's best known historical admirals was throughout his life, never able to find a cure for his sea-sickness.

16. Right handed people live, on average, nine years longer than left-handed people

17. Women blink nearly twice as much as men.

18. The elephant is the only mammal that can't jump!

19. Our feet house a quarter of the bodies' bones!

20. In the same way all fingerprints are different all tongue prints are different also!

21. Fingernails grow nearly 4 times faster than toenails!

22. It's against the law to burp, or sneeze in a church in Nebraska, USA.

23. Every time we breathe our ribs move; that is 5 million times a year.

24. Dead skin makes up for most of the dust particles in your home!

25. The first known transfusion of blood was performed as early as 1667, when Jean-Baptiste, transfused two pints of blood from a sheep to a young man.

26. The skeleton of Jeremy Bentham is present at all important meetings of the University of London

27. Adolf Hitler was a vegetarian, and had only ONE testicle.

28. Honey is the only food that does not spoil. Honey found in the tombs of Egyptian pharaohs has been tasted by archaeologists and found edible.

29. More people are killed each year from bees than from snakes.

30. The average lead pencil will draw a line 35 miles long or write approximately 50,000 English words.

31. More people are allergic to cow's milk than any other food.

32. Camels have three eyelids to protect themselves from blowing sand.

33. Queen Elizabeth I regarded herself as a paragon of cleanliness. She declared that she bathed once every three months, whether she needed it or not

34. The placement of a donkey's eyes in its' head enables it to see all four feet at all times!

35. The six official languages of the United Nations are: English, French, Arabic, Chinese, Russian and Spanish.

36. On average a hedgehog's heart beats 300 times a minute.

37. Earth is the only planet not named after a god.

38. Months that begin on a Sunday will always have a "Friday the 13th.

39. You're born with 300 bones, but by the time you become an adult, you only have 206.

40. Some worms will eat themselves if they can't find any food!

41. Dolphins sleep with one eye open!

42. It is impossible to sneeze with your eyes open

43. The world's oldest piece of chewing gum is 9000 years old!

44. Slugs have 4 noses.

45. Owls are the only birds that can see the colour blue.

46. A man named Charles Osborne had the hiccups for 69 years!

47. A giraffe can clean its ears with its 21-inch tongue!

48. The longest recorded flight of a chicken is 13 seconds

49. The average person laughs 10 times a day!

50. Please do feel free to add some of your own.

For more coaching and personal development ideas, including free 7 day e-coaching course (sign up under newsletter tab) and free email course (sign up under free profits tab) please do visit me at http://www.answerlife.co.uk

You'll also get great ideas on growing your business EXPONENTIALLY.

"It's what you learn after you know it all that counts" – John Wooden

Hyacinth is a Master Practitioner of NLP and a Master Hypnotherapist.

Hyacinth, a Coach, independent consultant and trainer for fifteen years. Highly regarded and ensures that her solutions are informative, exciting and presented in such a way to ensure all learning styles are catered for. She works with personnel at the highest levels in the private, public and voluntary sectors, up to and including members of the board as well as front line staff.

Hyacinth has worked within a number of large public sector organisations, including: Home Office, Probation Service, DfES, DfT, CPS, OfCom, NICE as well as within many of the London Local Authorities.

Friday, May 23, 2008

Nbcs Surface

Writen by Nicky Jones

To say that NBC has kept their upcoming fall SCI-FI show "Surface" mostly under wraps would be an understatement.Theirs barely any information available pertaining to the shows overall plot and the mysterious ads that pop up on television have been short and sweet.In case you're not familiar with these ads,they feature shots underwater,and a weird looking sea lifeform being dropped into a fishtank.Upon which a young kids mom asks him "Where are all the fish?" before the tank can be heard exploding in the background sending the mom and her son running into the living room with shocked looks on their faces.The ad stops there not wanting to reveal what they may have seen.A great teaser for a SCI-FI/Mystery show indeed.But will showing too little discourage people from tuning in?

"Surface" stars Lake Bell,Jay Ferguson,and Rich Connelly.Although not much has been revealed about the show there are a few things that I know about it.One it deals with an undiscovered species of sea life which finally becomes discovered,and the two big questions (atleast through season 1) will be how did they get here,and are they friend or foe? It's been rumored that the shows producers have stated that unlike most series along the lines of this one where the big questions are answered in seasons 2 or 3 with some being axed before their big reveals,"Surface" will reveal the mystery surrounding their monsters at the end of season 1.

The character breakdown is pretty predictable.A hard working mom,a small runt kid whos not too popular at school (where have we heard that one before),and the other character,one of the more interesting characters on the show in fact,is a guy whos on a mission to find out what killed his brother.Was it our new sea friends? Hmmmm...questions questions.Also tossed in for good measure and our episodely dose of science,is Dr. Aleksander Cirko,played by Rade Serbedzija.(Someone has to tell us and the shows characters what exactly the heck these things are).So do I see "Surface" succeeding?Believe it or not it's a toss up.The show has surrounded itself with enough mystery and intrigue to shake a really big stick at,but with the cast list only being 5 characters long,this show can bore really fast without enough people involved.Especially if the performances are bad.We won't have long to wait to unravel the mystery."Surface" premiers on Monday,September 19th.

Mr. HoRrOr Horror Movies &stuff.com http://www.hms.notlong.com

Specialty Press Science Fiction In A Nutshell

Writen by Joe Wehrle, Jr.

I'm sure that a lot of young people today are beginning to discover written science fiction, as opposed to movie and TV SF, much as I did when I was a teenager. They may not be aware of an interesting and endearing phenomenon people my age experienced in the 1950s and '60s, that of the specialty press publisher of science fiction.

I started buying Astounding SF in 1957, and before long I was seeing ads for books from Gnome Press, Shasta Publishers, Fantasy Press, etc. I think the names themselves clued me in to the fact that they were uniquely oriented to the SF field, but I had no idea that most of them were one or two-man operations.

No idea, that is, until I ordered something that was out of print, and got a postcard about it, hastily typed and signed by Martin M. Greenberg, publisher of Gnome Press! Imagine ordering something from Doubleday and Co. and the chairman of the board drops you a line, "Gee, Billy, I don't think we have any more of those, we'll have to give your four dollars back. How's your folks?"

It seems certain that the first and longest lasting of these publishers was Arkham House, founded as a venue to present the work of H. P. Lovecraft in a more permanent form than the pulp magazines in which he first appeared. Arkham went on to publish other Weird Tales authors like August Derleth, Clark Ashton Smith, Robert E. Howard, Robert Block, Greye La Spina, etc., but they also made infrequent forays into the world of science fiction with outstanding books like A. E. van Vogt's Slan.

Fantasy Press did as much for Edward E. Smith Ph.D. as Arkham did for Lovecraft, and Smith was still alive to appreciate quality hardcover publication. They issued books from his classic Skylark and Lensman series, and Spacehounds of IPC, in very interesting and attractive volumes with a small illustration embellishing the initial letter in each chapter. Even when the major publishers began science fiction programs, they weren't doing anything like this.

Probably most of the major serials from Astounding during John W. Campbell's tenure as editor achieved hardcover publication. In addition, many of the better serials and short stories from other publications were collected, as well as a number or originals which had never seen print in the magazines.

And unlike the major publishers who obtained jacket art and design from the same agencies that provided it for the other fiction in their line, the specialty publishers built their list of artists for their illustrated books from names the fans were used to seeing in the pulp magazines and amateur journals.

Hannes Bok provided excellent painted covers for Skull Face And Others and the House on the Borderland, both issued by Arkham House, The Titan from Fantasy Press, and for John Campbell's Who Goes There? from Shasta.

Edd Cartier had the covers for I, Robot, Foundation and Empire and Cosmic Engineers from Gnome Press, and a sinister Dr. Lell with an hourglass for Masters of Time from Fantasy Press.

Ric Binkley, not the biggest fan favorite, nevertheless turned in a very satisfactory series of covers and chapter headings for the Doc Smith books about Kimball Kinnison and for others such as John Campbell's The Black Star Passes.

And every Avalon book I've ever seen has a cover by Ed Emshwiller.

Fiction wasn't the only thing produced by the specialty publishers. Advent, for example, was primarily known for its books about science fiction: critiques, memoirs, concordances, SF history, etc. This has served a valuable function in helping fans, old and new, to keep in touch with the field and to appreciate its history.

The era of the science fiction specialty publisher has pretty much passed. Fantasy Press, Shasta Publishers, Gnome Press, FPCI, Prime Press, these are all gone. But limited editions are still being produced, and will continue to be issued by enthusiasts who decry the fact that wonderful pieces of imaginative fiction and art are lying ignored by businesses whose prime motivation must always be determined by the bottom line.

It's a matter of personal pride that I was fortunate enough to be asked to design a couple of dust jackets for Arkham House in the 1970s. I wound up investing far more time in the planning and execution of these than the money involved might justify. But I think sometimes the nature of the work is its own justification.

Joe Wehrle, Jr. is a writer, illustrator and science fiction fan. His first professional work was for Galaxy and IF magazines. He attended the now legendary first Clarion Science Fiction/Fantasy Workshop in 1968. If you want to see some of the covers he mentions in this article, visit http://www.joewehrle.com/specialty-press-sf.html To see his pencil portraits, visit http://www.wehrleportraits.com

Thursday, May 22, 2008

Stay Down Old Abram Book 2 Chapter 7 Amp 8 Babenhausen

Writen by Dennis Siluk

7.

The Clinic/Inspectors

When Chris had first arrived at the 545th Ordnance Company, it wasn't long after they had made him a clerk in the Nuclear Surety Office, it was where a person went to upon arriving, and a background check was done on you. If you couldn't pass the FBI and Military Intelligence screening, you were sent to a different unit. He passed it quite well, and knowing he had a background in administration, it wasn't long before he was in the office typing up security clearances. Up to this point, the 545th to his understanding and the 9th MP's never had passed an inspection; and accordingly, got rid of their commanders quite rapidly, due to this.

Dr. Ronald J. Sharp, was the presiding doctor at the clinic in Babenhausen, where Chris would have to go to get assistance, and check on the medical status of his military personal. He would get to know him quite well, and it would prove to be a most advantageous relationship, for him as a friend, and the company, as they both cooperated, and passed inspection after inspection.

As I was about to say, he [he being: Chris Wright] was assigned to the Surety Office, of which had already two sergeants in there, and now Corporal Chris Wright, doing the typing. The SFC, or Sergeant First Class [E-7] Bullman, was always leaving the office to go get a beer at the EM club across the road; and the Buck Sergeant, [E-5], Sillvk, the assistant Surety Sergeant in Charge, usually went along with him, or home to see his wife. Chris would just shake his head, and instead of asking for his rights, he turned it around and learned everything he could, knowing somewhere along the road, they'd leave, or get fired, and he'd be left to take over, he'd be the only one that could.

When the first inspection came up, which was about three weeks into his new role as a Surety Clerk, none of the paperwork that needed to be signed by the personnel to be placed into their file, was signed. The Corporal brought this up to the two sergeant's attention. They looked at one another, went over by the coffee machine, and devised a plan.

"Give me all the personal files that need to be signed by the GI's," he directed the Corporal to do. And so he did. With the Company's men and the MP Detachment, there were about two-hundred personal at the site, and about one-hundred were cleared for work in the back area, the nuclear site area: the nuclear site itself; this one-hundred number would go up to one-hundred and eighty within forty-four months, but at this early stage, it was 50% of the company and detachment, not working or guarding the nuclear weapons that they were sent there to do. Well, he did as the Sergeants both asked, and they asked without a thought of reckoning,

"What needs to be signed," they asked, and the Corporal pointed to the privacy act statement, along with a few other documents. And they both went to town signing. Asked the Corporal:

"Can we do that?" A dumb question, but he was a bit scared, it didn't seem right. Said SFC Bullman,

"I got six months to go, I for one, don't care, I'm retiring, now on the other hand, do you want to have 25% more of the personnel at this site, not working, that's it in a nutshell Corporal, anymore questions?" He then added, "be quiet about this or we'll all go to jail," meaning him also, the Corporal, and the Buck Sergeant as well as him. And so life went on, and the inspection took place.

--One of the main issues that came out of the inspection was that, when the inspectors went around asking the personal if they had signed the paper work, none remembered doing it, but the two sergeants insisted they did. The inspectors asked the Corporal if he had signed any, or knew of anyone who had. He said he had just arrived about six weeks ago, and three of them weeks were spent on processing and at another location—Babenhausen for the most part, that everything was dated prior to his arriving [thank god, he told myself].

But the inspector took a liking to the Corporal, and commented, "That may be so, but one can back date anything you know, or know of it…?" The Corporal didn't say a word, probably didn't have to, and the issue was pressed on, but it was eventually dropped with the pounding reminder, should this happen again, where no one remembers signing, there would be a new commander at the post. And no sooner had the inspectors left, the commander got a letter telling him he was to be replaced, and so Major Wastrel was soon to take over.

It wasn't long before the two sergeants left, and a new one was rushed in, for a follow up inspection in six months. Staff Sergeant Hightower, Charles Hightower was the new boss of the Surety office, he would become down the road, the First Sergeant, but for the next two years he would remain the stimulant and vigilant body, eye and soul, the Surety NCOIC, the man in charge. Corporal Wright would learn from him many things and the right way, but the main thing was: how to pass inspections, according to the regulations. And it would be hard work, long hours, but along the road; he'd end up passing every inspection from then on, for the reminder of his forty-four months at this location. Likewise, he'd make additional rank while being at the 545th, that being, Buck Sergeant. But in-between was a long road. He would make some enemies, and he would kind of stay in the background. Again, Hightower would become the First Sergeant, in Charge of the whole Company of the 545th eventually, and the Corporal the NCOIC of the Surety Office—things do change he would also learn, simply by sticking it out. But as I was saying, that was a ways off. In-between he'd have to pass some twelve more inspections, of which four would be Congressional, or put another way, ordered by Congress, right out of Washington D.C.—the Pentagon. It was the one in l976 that would produce a General to give him a medal, when Hightower had become the First Sergeant, who never forgot his student, his now Sergeant Christopher Wright, even when he left the Surety Office, and he, Sergeant Wright was on his own as the head of the Surety office for some eighteen months now.

8.

A Turkish Cigarette

After a number of months at the military base, Chris stopped going to the EM Club, at the 545th Ordinance Company: as one leaves the 545th, goes through the city of Muñster, into and onto, Dieburg a small city a ways farther resides Babenhausen, again backtracking: Babenhausen leads into Dieburg, and Dieburg leads into Muñster, which leads into the base; but Dieburg was were Sergeant Wright would patronize his night life at this time [later on it would change to Babenhausen], where he was living; and to repeat myself, seldom at the base now would he drink, especially after the conflicts at the [EM] Enlisted Men's –club and then Lt. Crawford's situation. It was simply not the place to be, it was more deadly than Vietnam, he was coming to believe. But Chris liked Dieburg, and was getting to like Babenhausen, as well. But Dieburg had a lot of WWII scares, old hurt memories of the Americans—for they had bombed it quite harshly, and in l974-1977, they had not healed yet many it seemed still had open wounds, yes even after 29-years of healing, no one removed the bullet holes which still remained in the thick wooden doors of the main church in town: for Chris had walked by it many times, to try and understand why they showed distain for him in the bars, yet after awhile, he was somewhat accepted.

Oh, he drank there, but again preferred Babenhausen, none the less, and the more he drank in Babenhausen the more he like it. Matter of fact, he was the only one that drank in Dieburg from the base, or any base, even the one military base in Babenhausen would not go to Dieburg, yes, he was the only American GI that would, the only one they had ever seen [they being the folks in the Dieburg bars or guesthouses]. Like it or not, the Americans were still considered the occupying force in Germany, the victors of a long and brutal war.

Babenhausen

[Soon after several months in Dieburg, Chris moved to Babenhausen, and got off post house] As you'd enter the guesthouse [bar], that was on the right bank of the cannel in Babenhausen, an old German-Turkish bar rested, there were two main rooms to it; one with a half rounded bar and tables for eating and drinking, and one to the side of the bar, that lead to a back section, which only had tables, and still there was a very small backroom to that section with four tables in it. Both had doors to enter and exit. As Chris entered the Guesthouse, as he got used to calling the bars: this evening it was busy, most of the patrons stood at the bar-area, for all the tables were filled with customers, people eating and drinking. Smoke was filtering in from the other room, although the first room was rather smoky in itself: to be precise, the one he was now walking through had its share of smoke also as he went into a cloud of thicker smoke. The other room's light was a tad dimmer because of the resting-lazy cloud of smoke that seemed to drift when the doors were open, when someone came in or out; and the folks were not eating dinners as in the other room in this back area, rather a few had soup or sandwiches on their tables; most were of Turkish decent, as were the other patrons in the smaller back room filled with Turkish men; as more of the German type, with German food, and lighter skin remained in the larger bar area. It would seem to Chris, the Turkish room, the second room, the men's faces automatically changed their countenance as Chris walked through, showed a more dangerous look.

--He had noticed in life, liking the bar scene, sometimes, not always, you'd walk in such a room, or bar, or guesthouse and a silence would manifest itself, in particular, if it was more unfriendly: all the same, that was not happening, although it seemed like it should be. Rather their eyes from several large and small tables with men sitting at them, playing cards, smoking, sipping soup, eating bread remained in their chairs, seeming in a coma-status, their eyes were watching, following him, tracking his moves, but not too provocative, or aggressively, rather assertively, carefree, and curious, more so, more like: why would you want to be here, is what their eyes were saying. But he could see the eyes, the dark thick eye brows on the tarnished bronze skin of the Turkish men were simply curious; they were working men, men of pride, not gangsters. Unkempt, yes, but with work pants and work shirts on, old jackets, unpolished boots, a labor man's workload; Chris knew all about it, he had worked for foundries, meat packing plants, as a painter, and a hundred other jobs—this was the working class, not the pretty boy store, or the Hollywood glamour pack, this was where men, real men hung out.

As he looked about for a table to sit, beer in hand, still the square jaws, and thick looking hands followed him: five o'clock dark-shadow beards on their faces, but he always thought they were handsome men, Turkish men that is, olive colored people, and some of the loveliest women in the world were Turkish. But there were no women here today, and he was the only American, a white, pale white skinned American. But they had no beef-with him. And so he found a corner and a chair, in the smaller backroom, where the four tables were, one empty, a small table, and sat on the wooden chair—with not much of a back to it, that wobbled a bit, unsteady, but good enough: as long as he didn't jerk the chair, least he kill himself from a fall in a bar, how embarrassing; thus, he put his mug on the table, lit up a cigarette, and looked about—now he was becoming one of them, he even put on a half smile, one with his face, another with his eyes; at the walls next to him he glanced at, they were pealing, the paint coming off, and some of it in places seemed a bit less colorful than in other places, tarnished from the everlasting smoke had dulled the paint.

Now looking at the pictures closer: a few to his right side of his shoulder, a few on the wall across to his left by another person's table, two other men talking, drinking he noticed also beers mugs hanging loose, on hooks here and there and everywhere. Some fancy, others not so fancy. He often thought: "...was I testing myself in doing things like this." Granted for the moment he didn't care, but nonetheless, simply walking into harms way—was liken to what he had just done, walking into a strange drinking place were they might have hated Americans, but evidently they didn't. Most GI's stayed on base, or had a few fellows go with them if they planned on doing some drinking on the German-economy, he always went alone, well, not always, but most of the time and possible that is what was his source of safety—for most GI's wanted trouble, Chris just wanted to get drunk. He wasn't afraid of any man, and knew he could be beat most in a fight, and it would normally take more than one; and another man knows when you do not fear him. And he didn't, plus, he liked the surroundings, it was a stained place, but comfortable.

The question begs to be answered, did he ever get in trouble with his long-range lifestyle, bar life, yes, oh yes, but possible today would be different, and to be quite honest, most times were not troubled times, most people wanted to have a good time, get drunk, eat, talk about the day, and women, and the government, and then go home and make love to their wives, and get a good sleep before the next day came about, and start all over again, that was life in its simplest form. But American GI's had a bad reputation—and to be frank, earned it by causing trouble; for most couldn't handle drinking, or drank too much, or didn't know how to drink, and then were rude and wanted to fight. Also most were young and cocky, and loud. Chris was to the contrary.

As he glanced about, a few Turkish men lit up cigarettes, a man he had walked by, walked by when he went into the small room to the side that is, who watched him from the corner of his eye—by the name of Abdullah, was watching him now. Feeling obliged, he gave him a smile, it really is the best weapon a man has in a situation like this he thought. Turkish music filled the smoky air—the sailing air, the choking air. The Germans had quite a work load for the Turkish men in their country thought Chris, doing the jobs they didn't like doing, like back in the states, where businesses would hire Mexicans to do the jobs Americans didn't like doing; --supply and demand was the call of the economy in both countries. The only time the Germans got mad at them was when hard times came, and then they'd kick them out of their country. Or if a GI wanted to rent an apartment, like Chris did in Dieburg, and a Turkish family was living there, or just Turkish workmen, the GI would get it, but of course he'd pay twice as much, not knowing though—or he was not suppose to know. And the Turkish would be kicked out the next day. This is how he acquired his apartment.

And here he lit his cigarette and washed down the smoke with his dark-beer, bock-bear, as if it was water.

"Smoke," said the Turkish man to the young American soldier, as he was putting his beer back on the table from sloshing it down his throat. He hesitated, looked up at his dark eyes, his broad shoulders; he was several years older than he, possible close to thirty-five. They both smiled, and he asked in broken English:

"I Vant Americana cigaretta…" as he handed Chris a fat looking Turkish cigarette. Then he took it, what the Turkish man gave, Abdullah wanted in trade something though. He knew they had a big black market in Germany for whiskey and American cigarettes—possible this was what it was about—but it wasn't.

"My nam Abdullah Vhat a GI does here…?" he said puzzled, looked about, and almost amused.

Said Chris [with a flashing smile now], "Just a drink my friend, no more, no less, my name's Chris," Chris extended his hand, they both shook hands then.

"Dhat's gowd," he replied, "No GI com her." Then he shook his head as if it was ok, and he pulled out three cigarettes and gave them to Abdullah, and he gave Chris one of his fat ones again. They both smiled again, if anything, smiles are the best international comforting language in the world thought Chris, "Dhat's gowd," he replied again, flashing those yellowish-gold teeth as he spit out the words, and smiled. His thick mustache getting in the way; he liked him, Chris like him; he was a plain man, honest, friendly and curious. He was broad looking, with a shadow to his face as of needing a shave, possible had gotten one in the morning, but some men just grow them instantly.

"Com joyoin us," he commented, but Chris declined the offer to join them, drank his beer down, and left. Yet, in the months to follow he found himself going back to that guesthouse in Babenhausen, as he'd move from Dieburg, to Babenhausen, he'd spend more time in the local stores and guesthouses of that area.

See Dennis' web site: http://dennissiluk.tripod.com

Wednesday, May 21, 2008

I Slept In A Tomb

Writen by Lynn Moriarty Parman

It was 1990 and her Bible was chock full of letters and notes from children and grandchildren extolling her virtues. Drawers and store rooms were not disturbed since Joyce's death four years earlier. But her plants were taken care of and they were thriving. One small room downstairs has become my brother's dressing room and his new wife's office. Stacks of newspapers and magazines from two accounting businesses tower near their living room chairs. I saw collections of trinkets etc, not disturbed in the beautiful antique show cases for china; crucifixes and "Mary" mementos, and a beautiful wooden rosary draped on one wall as I had noticed the last time I visited, when Joyce was alive. A library of books is undisturbed in the upstairs hall, and the Grandfather clock ticking away time, chimes nine p.m.in the hallowed halls of memory. A collection of bells, carnival glass and Hummel's is dusty on another shelf.There's a family picture gallery on a 5-tiered corner shelf, family wedding pictures, group pictures, baby pictures and grandkids. Even the kitchen cupboards have been undisturbed....the new wife eating out or at her own home across town.

When will my brother put my sister-in-law to rest? When he and his new wife have found a place of their own? Who will go through her things? Jewelry boxes, sewing drawers. Will he walk away from this antique shrine just taking his clothes and a few personal items, leaving the six children to clean out the drawers? Or will he actually experience the necessary part of grieving by sorting through his first wife's personal drawers, books etc. and letting the grown children decide what mementos they would like to keep of their mother's? She was a real home body, sewing and cooking for her kids and grandkids. She had a great sense of humor. It truly was sad when she fell over dead while working in her flower garden at the age of 47. I was present at that funeral but felt strange sleeping in a virtual tomb four years later, the bed that had been their marriage bed. My brother had not slept in it since her death. It helped me to understand the grief process is different with everyone who must experience it. And that there is no set time for getting on with your life. Sigmund Freud wrote in a letter to a friend: "Although we know that after such a loss the acute state of mourning will subside, we also know that we shall remain inconsolable and will never find a substitute. No matter what may fill the gap, even if it be filled completely it nevertheless remains something else."

Lynn Moriarty Parman is author of Mushroom Marathon, Running Toward the Prize of Serenity 2004, Authorhouse. For more information go to her website at http://www.images-of-joy-literature.com

Tuesday, May 20, 2008

The English Were Always Philistines Sir Roy

Writen by John Lynch

Sir Roy Strong, the eminent English historian and former director of the Victoria and Albert Museum in London, has ridiculed the television programme 'I'm a celebrity… Get me out of Here!' in a recent article in 'The Daily Mail'.

"It made we feel utterly ashamed to be British", he lamented. For those of you lucky enough not to know what this programme is about, let me explain. It chooses a number of celebrities and puts them in an artificial situation. In the latest series they were dropped in the Australian jungle and put through a number of ordeals such as having insects poured on their heads! As always there was a mixture of personalities with the emphasis on young people of the opposite sex being together. These could be relied on to use bad language, take off most of their clothes or even have sex.

Sir Roy deplores that "the country of Purcell, Shakespeare, Isaac Newton and Winston Churchill had sunk so low. It's not just that so many people watched 'I'm a Celebrity' (14 million) and the vacuous behaviour of its victims, but that they actually gloated over such puerile antics in their homes."

Although Sir Roy Strong is an eminent historian, it is difficult to understand his surprise at 14 million people gloating over this gibberish. When he refers to "the country of Purcell, Shakespeare, Isaac Newton" you have to giggle. When did the majority of English show any interest or love of Shakespeare (endured at school by the majority) or the classical music of Purcell or the scientific theories of Newton? Anyone with any acquaintance with English people will know that these are the interests of the few, even the elite.

This is precisely the problem. On the one hand we have an elite who enjoy these cultural pursuits, and on the other the vast majority who are glued to their televisions watching 'I'm a Celebrity' or soap operas such as 'Eastenders'. However, as an historian I am sure Sir Roy is aware of the origin of this problem in the educational system at the end of the Victorian period.

The Victorians did not encourage education among the working masses. They were employed in dreadful conditions in dangerous factories, on low wages on the farms of big landowners and in virtual servitude in domestic service. Added to this there was the constant demand to fill the ranks of the army and navy to maintain the largest empire in the world. In 1870 an Education Act was passed allowing all children between 5 and 10 to go to school. However, as their parents had to pay a small fee, most children did not attend. Only in 1891 when education was made free for children under 10 did the majority go to school. Even then many did not, as their parents were poor and they preferred to send them to work to earn income for the family.

The rich Victorians were happy with an uneducated underclass which they could control politically. The legacy of this educational exclusion of the majority continues to the present day in England. Hence, the appetite for trashy television programmes such as 'I 'm a Celebrity'. I am afraid Sir Roy, the majority of English were always philistines. The Victorian legacy has proved too powerful to undo.

© John Lynch 2004

About The Author

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